Just think about the ongoings of life for a minute.
Let’s use my mother as an example. Her day consists mostly of smoking cigarettes, handling animal poop, some light landscaping or interior-decorating, applying makeup, shopping, watching sentimental shows on cable, listening to my sister, babysitting her grandson, eating some quick-to-assemble food, napping, watching prime-time TV shows, and going to bed. I’ve known my mother my entire life and we even lived in the same house for several decades — in other words, I’m pretty familiar with her narrative. She’s in her seventies and doesn’t expect much more out of life at this point.
Although I described her current routine, her routine from several decades ago wasn’t much different. Externally, her life hasn’t been too exciting I’d say. Internally, she’s very anxious and worries a lot. Every phone-call has the potential to be a life-changing disaster. If I dare call her outside of my normal routine, well then something MUST be wrong. So internally, I’d say her life has been very exciting. She’s captivated by the fear of terrible things happening in her life (despite the fact that so little has happened in all those seventy-plus years).
My point is this: I’ve directly witnessed a few people’s lives. And I gotta tell ya, from those examples, existence seems like a pretty mundane affair. Do some people have super-duper exciting experiences? I dunno, I don’t know those people. The lives I’ve personally observed are boring on the outside and a veritable high-intensity electrical-storm on the inside — my own included. So what’s the take-away from this?
From a simulation standpoint, that means the rendering and scripting of daily-life can be simple and repetitive. If everything interesting happens in the imagination, well that’s easy-peasy. That means life is more like a book than a movie — a scene is suggested and you simply picture it in your head. In the external world, just follow a basic pattern of activities — but inside your head, infuse some drama into the mix, add some fear or anger and suddenly a basic interaction becomes so much more.
How many times do we find ourselves lost in thought, imagining the motivations of others? These people have literally done nothing, yet we craft an entire soap-opera around the way in which they did or didn’t say “Hello”. In the external world, nothing happened — but in our internal world a grand epic just took place. This is very convenient for players that lack skill in maneuvering their character through the wider world — a noob can basically stand still while experiencing an entire range of intense emotions.
We wake up, eat, defecate, perform some mundane tasks, interact with others in a minimal way, talk about everyday topics, travel to and fro in short uneventful trips, read some stuff, watch some stuff, sleep — our external experiences are almost nothing compared to the excitement on the inside. The dramatic overlay we place upon these very basic activities is amazing. We’re authors writing our novel each and every day.
And here’s the thing… if so much of life is written inside our heads — maybe 90% or more, then we have the ability to control 90% or more of our life through the shifting and directing of our focus. By writing our novel in a way that fills us with delight, we can craft the best possible experience imaginable. It’s within our power as soon as we realize we can do this — and actually apply it. All lives are essentially boring, it’s the same stuff everyday — they all suck UNTIL you place a dramatic overlay that you enjoy on top.